Admittedly, I have been slow to warm up to the cold concrete of the Brutalist aesthetic. Like most, I had found the style cold, inflexible, and forbidding. As many examples of these concrete creations approach an age at which their heritage must be considered, a number of advocates have appeared to rehabilitate the image of this misunderstood style. While those advocates like Sarah Gelbard or Shawn Micallef might not win everyone over, I’ve personally found the arguments convincing.

Read more